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Musicians First. AmpliTube 4 preset automation in Logic Pro X by rommel. I use Logic Pro X for recording songs and playing live. It's crucial to set up preset automation so I can focus on playing in the gigs. However, I'm having trouble finding out how to do it with amplitube 4 connected as a plugin to Logic Pro X. I've searched a lot and didn't find a clear tutorial about how to do it. Can you guys help me, please? It's essencial that the automation works with monitor on, because of the live situations.
Thank you very much! If you have a look in the AT4 User Guide, there are detailed instructions on how to set this up in chapter 14, starting at page System Specs: Mac Mini 2.
Re: AmpliTube 4 preset automation in Logic Pro X by carlaz » Thu Nov 01, pm This is the kind of thing for which an official "how to" video, just a couple of minutes long, might well help a lot of people. Hope that helps. Inspired by You see, I have Amplitube Max, which I got via crossgrade. The Recording Room selection tab lets you choose from 6 different ambient recording spaces. Choose from a big live room, venue stage, two studio rooms, an isolation booth or a garage.
You can also select which pair of room mics you want use and then dial in the amount of stereo room ambience to your liking. The Recording Room selection adds a completely new level of hyper-realism to your guitar tone. AmpliTube 4 now has a dedicated mixing environment for the speaker cab room.
Never before has it been so easy to get hyper-real! AmpliTube works seamlessly with your favorite DAW as a plug-in, comfortably playing well with other plugs in the mix. This means several things… First, you can just hit record and start wailing as the tone inspires you. Need to add a layer? Drone riff? And with the new DAW section, you can do some other pretty nifty tricks.
Audio waveforms accurately represent your recordings for precise editing. As a learning tool, you can import any audio tracks into the DAW section, define loop points and use the built-in Speed control to slow down difficult passages without affecting pitch, and use the Pitch control to change keys without affecting speed. Want to hear a passage at a different tempo or pitch? AmpliTube 4 lets you export your masterpieces however you see fit… as individual tracks or as one master file for mastering — the choice is yours.
And you can export in a variety of file formats to suit your needs,. The 4-Track Super Looper may look simple, but in hyper-reality just like everything in AmpliTube 4 there is some pretty powerful stuff working under the hood.
Recording time is limited only by the amount of disk space you have on your computer. Just makes sense. Here you can activate a click track for the looper and set your tempo. The 4-Track Looper also lets you export your loops, reopen into the built-in DAW, or import them into other sequencers. The Super Looper lets you do amazing, hyper-realistic things inside the world of AmpliTube 4.
Today, IK Multimedia continues to lead the pack when it comes to model accuracy of all the elements in the complete signal chain with innovative solutions and ultra-accuracy that no other brand can match. Who do the top manufacturers in the industry trust to make ultra-accurate models of their gear?
With nearly individual gear models available, AmpliTube offers more tonal variety than anything else on the market. We have modeled almost every amp and effect circuit ever produced since the birth of electric guitar and effects pedals. No matter what type of tone you are aiming for, only AmpliTube has the right gear for it.
All other product names and images, trademarks and artists names are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Use of these names does not imply any cooperation or endorsement. All rights reserved. Mac and the Mac logo are trademarks of Apple Computer, Inc.
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AmpliTube 4. Upgrade to AmpliTube 5. Hyper Realistic Tone Get ready to have your mind and ears blown. Big Live Room. Studio A. Studio B. Stomp FX placed into Rack section.
Stomp FX placed into Rack section - Edit mode. Rack FX placed into Stomp section. Rack FX placed into Stomp section - Edit mode. How it works Chances are, you already know how it works. Infinitely expandable AmpliTube 4 comes with the built-in Custom Shop gear store feature that allows you to add gear to your collections any time a-la-carte or via collections. Gear Selection First and foremost, AmpliTube is all about the gear.
New British models AmpliTube 4 welcomes 5 new classic amplifier models to the mix representing some of the best British tones from the 70s, 80s and 90s. Effects Loop New in AmpliTube 4 is an additional slot in the signal chain right after the amplifier pre-amp section but before the power stage.
Below are all the gear models you can add to your rig through Custom Shop. An iconic distortion pedal that has stood the test of time. This model alters the sound of the input signal by changing the sample-rate, cutoff frequency and by distorting it. This effect can produce very aggressive distorted sounds, more pronunciated than overdrive stompboxes.
The Low pass filter is very creative when combined to high distortion levels. First produced in , this is one of the most versatile distortion boxes ever made. From subtle crunch to complete mayhem, this pedal has been used by countless guitarists of all styles. This hard-to-find vintage unit includes a built-in oscillator for infinite sustain.
Hold notes to create amazing synth-like sounds or boost solos for more cutting tone, combined with classic distortion tones. Nothing compares to this pedal for pure distortion mayhem. From subtle to over-the-top, the SD-1 pushes amps harder without sacrificing clarity and tone. It's basic controls make it easy to dial in the exact sound you want.
One of the most versatile distortion boxes ever. From smooth, light crunch, to extreme shred sustain and over-the-top gain, this pedal has been a classic ever since its release in the early 80s. This pedal is a model of a beloved 80's-era distortion pedal by a company known for making amps with amazing distortion. This model packs a whole powerful amp into a single stomp box. This effect is a model of a classic high end compressor. It is capable of mild compression or intense signal slamming, and does it all with a tremendous amount of finesse.
This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning and dialing in that perfect tone. This is a clean sounding band graphic EQ. This stomp is an advanced filter effect. It uses the envelope of the incoming signal to control a synthesizer style filter. It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects. This complex stomp effect uses an LFO to modulate the frequency of its filter. With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble.
Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar. A unique effect that can add synth-like drones and sustaining resonances to your parts. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
A powerful and deep beat synced filter effect. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it! This effect is modeled after the classic wah pedal used by many of the top players from the 60's and 70's. In addition to the wah effect it also features an auto function, allowing it to be used easily without an external controller. This is a new exciting feature. This is a faithful rendition of a very sought-after wah pedal. Based on a multiple feedback opamp circuit, the pedal modeled here is a very expressive and unique wah pedal.
This is considered to be one of the best sounding wah-wahs of all time. Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer. This effect is modeled after a classic germanium transistor fuzz stomp effect. Typically used on lead guitar, this effect has remained a popular distortion effect throughout the years. This classic germanium transistor fuzz effect was the main fuzz box used by Jimi Hendrix.
Often combined with a wah, this effect produced permanent sustain and endless distortion. Hendrix began using this fuzz box while playing in New York City before founding the Experience. A highly sought-after, rare fuzz box, it was one of the first commercially available floor effect units, making its first appearance in One of the most flexible flangers ever made, the BF-2 delivers everything from classic tape flange to over-the-top sweeps, vibratos, chorus and more!
Perfect for adding classic metal-style flange to your rig. It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable. While it has amazing warmth, it is also capable of very versatile chorus and ring modulation type sounds. Still, no flanger is more recognizable, making this perfect for hard-rock and metal tone. This effect is one of the most popular phase pedal of all times.
Used by a wide range of first-class guitarists, this unit could add a little bit of shimmer to your solos or generate a smooth, watery effect while playing chords and muted strumming.
Try the Phaze Nine on bass, keyboards or vocals. This effect is a model of a classic analog phase shifter, capable of a range of phaser effects from gentle to outlandish swirling effects.
You may wonder why it is called "small" when you hear it. This effect is a 3 voice digital harmonizer effect. More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale.
Simply select the scale to use, select the voice and the desired pitch and play. The harmonized notes will be according to the selected scale. This stomp effect is modeled after a classic dual voice octave pedal. It will produce two additional sounds, one and two octaves below the direct signal. This effect shifts the pitch of the incoming signal. This new pitch shifted signal is blended with the original sound to create harmony guitar leads or other types of dual pitch effects.
One of the most extreme effects of all time, the original Whammy is a costly vintage find these days. From classic shred to the most aggressive modern metal, this is an essential part of any extreme guitar rig. Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect.
Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat. This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention.
Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
It recreates the original distortion circuit, adding upper octave harmonic content to the direct signal and creating as a result a unique overdrive effect. Moving the octave knob will double your direct signal one octave below the direct signal. In this way you can make your melodic lines richer and fuller, expanding the frequency range. When in Chorus mode the modulation will be lush and slow. When in Vibrato effect the modulation will be faster and more noticeable.
This model is based on a classic analog delay with modulation stomp pedal. The auto option will produce the Wah effect automatically, meaning that there is no need for the manual intervention on the pedal position. This effect is modeled after a vintage compression stomp pedal and can deliver a strong sustain and powerful compression with lots of character. This stomp is a highly developed filter effect.
Essentially, it uses the envelope of the incoming signal to control a synthesizer filter. You can enhance your bass tone adding from simple auto Wah effects to extreme filtering effects. Perfect for those who want to create instead of copying, with a bit of experimentation, this pedal can deliver a huge range of unique tones. A classic volume control. A combination of a Fuzz-style distortion effect and a Wah pedal, this is two pedals in one.
A Classic analog Phase shift effect as heard on countless recordings since the s. The rate control knob alternately illuminates blue and red at the same rate as the phase shifting.
BPM sync function allows for automated effect syncing to your DAW tempo, or set your tempo manually to add that dramatic tremolo sparkle or darkness to your tracks. Two distinct wah voices give this model a huge range of "wah-ptions. Adjust your effect frequency range with the minimum and maximum knobs, and control the amount of effect applied with the "wah" control and volume level knobs.
A very inspiring pedal that will also add dramatic effects to your bass lines. First introduced in the early s, this classic all-tube spring reverb unit is a must have accessory for all Surf players.
Blues and experimental players love it, too. The Fender Reverb is capable of producing an incredibly lush or intense crashing Reverb effect due to its post-guitar, pre-amplifier signal path and unique tube driven output.
Increase your signal gain before it hits other effects and amplifier, or use it elsewhere in your pedalboard chain to create dramatic "attack" effects. This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps.
You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap. It became famous through its use with keyboards. Filters allowed for low-pass, bandpass, and high-pass filter response which could be triggered from low to high frequency or vice versa.
The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers. The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds. With the boost function bypassed, the Mudhoney delivers moderate gain and a rich, smooth sound that many jazz guitarists prefer.
The boost button engages a high gain circuit for a more aggressive sound. With its astonishingly warm tone it is the perfect mix of controls that delivers everything the most demanding guitarists could ask for in a delay. The Replica is used by guitar heroes from Pete Townsend to John Mayer to deliver their classic sounds. It can also produce crazy and innovative tones never heard before.
With its detailed "Wave" and "Shape" controls, it is one of the most versatile tremolo stomp boxes available. The Shape control sets the rise and fall time of the tremolo how fast or slow the volume increases and decreases. This adds some very different variations to the tremolo effect: with a quick swell and a slow drop, the effect is percussive like a piano.
Conversely, with a slow swell and a sudden drop, the result is reminiscent of a tape played backwards. The Power Grid is a high gain, solid state distortion pedal capable of a myriad of tones thanks to a three-band active EQ section.
It is perfect for all styles of rock. The pedal is designed to provide powerful overdrive and distortion suitable for all kinds of rhythm and lead playing thanks to five stages of discrete Class A circuitry.
This raw horsepower is managed by a multi-element gain and volume control system that provides very fine control. The tone is further refined with three bands of active EQ. Each band allows for up to 12dB of boost or cut at selectable frequencies for maximum control. The booster stomp box used by Slash. It boosts your signal up to 20 dB.
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